Collage, Drawing, Painting, Process Sarah Atlee Collage, Drawing, Painting, Process Sarah Atlee

Normal, OK: Edmond "Mundy" Tulsa

Mundy Tulsa, Present Day, 2007 Mundy Tulsa, Present Day. Acrylic and collage on found panel, 2007

Edmond Tulsa was born to a man who was hoping for a boy. Everyone calls her Mundy. She is a prodigious baker, and wins many bake-offs and Opteemah County Fair ribbons. Her family's money went down with Penn State Bank when the bottom dropped out. But Grampa Dewright Tulsa had placed gold and silver coins inside sections of pipe and buried them in the backyard. One day Mundy undertakes to dig a vegetable garden and discovers the coins. This becomes the startup capital for Miz Mundy Cookies, and later Mundy Buns. Mundy Buns grows so successful that Mundy gets a buyout offer from Nabisco. She declines for reasons of personal integrity. Soon after, she strikes a deal with Dobbin Wynn to be the exclusive concessions distributor for the Dobbin & Dixie Family Film Fest. The Mundy Buns plant remains the economic heart of Normal. In 1998, Mundy hires Katie Hennepin to help her branch out into organic baked goods.

Mundy was created using the acrylic gel transfer process detailed here and here. I applied the image transfer to a former cabinet door that I found at Habitat For Humanity's OKC thrift store, Renovation Station. That shiny knob in the lower right corner is the door handle.

This is the original drawing:

Mundy Tulsa, ink on paper, 2007

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Collage, Drawing, Painting, Process Sarah Atlee Collage, Drawing, Painting, Process Sarah Atlee

Normal, OK: Magnolia Black

Normal, OK: Magnolia Black, acrylic, prismacolor, and collage on canvas Normal, OK: Magnolia Black background: acrylic on canvas figure: Stonehenge paper with acrylic and Prismacolor pencil

This piece is on canvas stretched over a 16 x 17 inch plywood panel. I applied several base coats of acrylic and gesso to the canvas, including the first layers of pink. I sketched the figure on Stonehenge paper, cut it out, and glued it to the canvas with extra-heavy acrylic gel medium. I add several overlapping washes of acrylic to the figure before filling in the details with Prismacolor pencils. With this kind of process I'm reminded that using colored pencils is like painting, but with more control. I feel like a much better colorist when layering pencil as opposed to paint. The Stonehenge paper is an excellent surface for mixed-media work like this.

Magnolia Black is a waitress at Denty's Diner. She does freelance tattoo work on the side. Now that tattooing is legal in Oklahoma, Magnolia is looking into opening her own shop.

A hearty thank you to Miz Estrella for posing for this picture.

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