Influence, Process Sarah Atlee Influence, Process Sarah Atlee

Xerox Transfer Workshop at Untitled Artspace, OKC

Gift, oil and alkyd on canvas, 2004 by Joe Ramiro Garcia
Gift, oil and alkyd on canvas, 2004 by Joe Ramiro Garcia. Click here to visit the artist's website.

I mentioned in an earlier two-part post that there are many ways to transfer an image from one surface to another. Untitled Artspace in Oklahoma City is offering a workshop on one of these methods, taught by visiting artist Joe Ramiro Garcia.

Xerox Lithography Workshop October 18 - 19, 2008

Joe Ramiro Garcia will teach a two-day Xerox Lithography Workshop on Saturday and Sunday, October 18 and 19. The workshop will have sessions from 10 am - 6 pm each day. Xerox lithography involves using a Xerox copy of an image and transferring it with gum arabic. Garcia is a Santa Fe-based artist and exhibited his art at Untitled [ArtSpace] in May and June 2007. ... Supplies will be included.

If you're in the area and interested in this method of image transfer, a workshop at Untitled is a fabulous way to leapfrog into some new work.

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Collage, Drawing, Illustration, Process, Sketchbook Sarah Atlee Collage, Drawing, Illustration, Process, Sketchbook Sarah Atlee

Illustration Friday: Foggy

Let Things Be Foggy, ink on paper, 2008 Let Things Be Foggy, ink on paper, July 2008.

I began this sketch during my stay in Canadian, Texas over the Fourth of July holiday. I don't have any major shows planned or new projects in progress at this point, so I feel a mite bit purposeless. (It's been a long time since my schedule was this open.) Plus, I'm exploring some less graphic, more painterly stylistic ground. This foggy place is the perfect environment in which to let some new ideas germinate.

See more of Illustration Friday here.

Here is a snapshot of my desk upon completing the drawing, where you can see my collage sketch:

Worktable snapshot, 2008.07.12

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News, Process, Shows Sarah Atlee News, Process, Shows Sarah Atlee

Art 365 Documentary Preview Online

As part of the year-long Art 365 process, filmmakers Melissa Scaramucci and Cacky Poarch produced a documentary film about the seven artists. You can see a 15-minute preview online at Google Video. If you're new to Art 365, this is a great introduction. The film premiered in its entirety at the Art 365 opening in Tulsa last month. There will also be a screening in Oklahoma City on July 3rd.

Click here to read more about Normal, OK, my series for Art 365.

Related: Sonarta also has footage of the Art 365 process. Part 1 is below; here are parts two, three, and four.

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Drawing, Illustration, Painting, Process Sarah Atlee Drawing, Illustration, Painting, Process Sarah Atlee

Not What I Meant

Not What I Meant, acrylic on wood, 2008Not What I Meant, acrylic on wood panel, 2008. Click image to enlarge.

A few years back I came into a whole pile of these 8 x 22 inch wood panels. I think they were raw cabinet doors that hadn't been shaped and finished. Usually I paint on them vertically, so this is the first time I've used one in its wide format. Just in time for Illustration Friday: Wide.

Not What I Meant, detail view, 2008

Not What I Meant, detail view.

This panel was actually a so-so painting several years back. (In fact, it was one of a series of paintings I did that turned out so poorly that I realized I needed to go back to school and learn to paint. Hence: graduate school.) To start the painting you see here, I sanded the previous painting's surface, then added the red and blue. I scratched the fish shapes away with an exacto knife (and many many blades). It's so satisfying to transform a failure into a success.

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